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Tantric Buddha Vairochana, c. 1150-1200. Creator: Unknown
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Tantric Buddha Vairochana, c. 1150-1200. Creator: Unknown
Tantric Buddha Vairochana, c. 1150-1200. Tantric Buddhas are distinguished from historical Buddhas by their crown and jewelry and their association with a vajra, which this figure grasps in his fingers. His hands are held in a symbolic hand gesture called mudra, indicating that he conveys the meaning of the tantric teachings. The unusual depiction of a monk in a crown may be identified as Phagmodrupa, founder of an influential Buddhist order for whom this painting was made. One of the earliest surviving tangkas-Himalayan devotional paintings on cloth-this exceptionally rare work exemplifies the Tibetan artists adaptation and fusion of northern Indian and Central Asian artistic styles. Attendant bodhisattvas-beings one step away from full enlightenment-flank the central figure, and a row of lineage masters whose tantric teachings flowed from one generation to the next sit on multicoloured lotus pedestals along the top row. At the bottom, guardians and tantric protectors flank a central image of a white, eleven-headed Bodhisattva of Compassion
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Media ID 19643381
© Heritage Art/Heritage Images
Opaque Watercolour Central Tibet
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This print showcases the Tantric Buddha Vairochana, a masterpiece of religious art dating back to the 12th century. Created by an unknown artist, this depiction of Vairochana distinguishes itself from historical Buddhas through its ornate crown and jewelry, as well as its association with a vajra held delicately in its fingers. The figure's hands are formed into a mudra, symbolizing the transmission of tantric teachings. Interestingly, this particular portrayal may be identified as Phagmodrupa, the founder of an influential Buddhist order for whom this painting was specifically made. As one of the earliest surviving tangkas - devotional paintings on cloth from the Himalayan region - this artwork is exceptionally rare and serves as a testament to Tibetan artists' ability to adapt and merge artistic styles from northern India and Central Asia. Flanking the central figure are attendant bodhisattvas, enlightened beings who stand one step away from full enlightenment. Above them sit lineage masters on vibrant lotus pedestals, representing generations upon generations through which tantric teachings have been passed down. At the bottom of the composition, guardians and tantric protectors surround a central image depicting an eleven-headed Bodhisattva of Compassion in pure white attire. This stunning piece captures not only spiritual devotion but also exemplifies cultural fusion within Tibetan artistry.
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