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The Reverend Charles Old Goodford (colour litho)

The Reverend Charles Old Goodford (colour litho)


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The Reverend Charles Old Goodford (colour litho)

613495 The Reverend Charles Old Goodford (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: The Reverend Charles Old Goodford, Goody, 22 January 1876, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection

Media ID 23235644

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Goody Vanity Fair


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> Arts > Pop art > Satire > Satirical artwork

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> Fine Art Finder > Artists > Leslie Matthew (1851-1922) Ward

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EDITORS COMMENTS
This vibrant lithograph captures the essence of The Reverend Charles Old Goodford, a prominent figure in 19th-century England. Created by Leslie Matthew Ward, also known as Spy, this satirical cartoon was originally published in Vanity Fair on January 22nd, 1876. The Reverend Charles Old Goodford, affectionately nicknamed "Goody" is depicted with exaggerated features and comical elements that reflect the artist's scathing satire. This caricature showcases Goody's larger-than-life personality and his significant influence within society. Ward's masterful use of color brings an added dimension to this print. The vivid hues breathe life into Goody's character while highlighting his distinctive traits and eccentricities. Through this artwork, viewers are transported back to a time when political cartoons were powerful tools for social commentary. As we gaze upon this image today, we are reminded of the enduring impact that satirical drawings like these had on shaping public opinion during their era. This particular lithograph serves as a testament to both the artistic talent of Ward and the cultural significance of figures like Goody in Victorian England. Now preserved in a private collection and made available through Bridgeman Images' Fine Art Finder platform, this print allows us to appreciate not only its aesthetic value but also its historical context. It serves as a window into an era where art became a vehicle for societal critique and reflection.

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