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Americae Tertia Pars, attacl of the village by the Tuppinjkinsij (page 364)

Americae Tertia Pars, attacl of the village by the Tuppinjkinsij (page 364)


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Americae Tertia Pars, attacl of the village by the Tuppinjkinsij (page 364)

XIR902324 Americae Tertia Pars, attacl of the village by the Tuppinjkinsij (page 364), 1562 (colour engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes, France; (add.info.: " Americae Tertia Pars". Attaque du village par les Tuppinjkinsij (page 364)
); Flemish, out of copyright

Media ID 12946032

© www.bridgemanimages.com

Archer Bone Bones Bow And Arrow Colonisation Defending Discovering Documenting Fence Native American Indian New World Pole Post Quiver Skull Tribe Tupi Natives


EDITORS COMMENTS
The captivating print titled "Americae Tertia Pars, attack of the village by the Tuppinjkinsij (page 364)" takes us back to a significant moment in history. Created in 1562 by Flemish artist Theodore de Bry, this color engraving offers a glimpse into the early encounters between European colonizers and Native American tribes. In this scene, we witness an intense clash between the Tuppinjkinsij tribe and an unknown group of attackers. The composition is filled with action as warriors armed with bows and arrows defend their village against the onslaught. The tension is palpable as arrows fly through the air, skulls and bones scattered on the ground serve as a grim reminder of previous battles. De Bry's meticulous attention to detail allows us to immerse ourselves in this pivotal event. Every element has been carefully rendered – from the defensive fence made of wooden posts to each individual warrior engaged in combat. This print serves not only as a visual documentation but also provides insight into how these historical events were perceived at that time. "Americae Tertia Pars" reminds us of both discovery and colonization; it sheds light on cultural interactions during Europe's exploration of North America. Through artistry, De Bry captures a crucial chapter in our collective past, inviting viewers to reflect on its complexities and consequences.

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