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The Greek fire used by the besiegers and the besieged at the siege of Constantinople by
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The Greek fire used by the besiegers and the besieged at the siege of Constantinople by
XEE4414870 The Greek fire used by the besiegers and the besieged at the siege of Constantinople by Muhammad II in 1453. In" Album de la Science", Editions Jouvet, 1896. by Unknown Artist, (19th century); Private Collection; (add.info.: The Greek fire used by the besiegers and the besieged at the siege of Constantinople by Muhammad II in 1453. In" Album de la Science", Editions Jouvet, 1896.); Stefano Bianchetti; out of copyright
Media ID 22856448
© Stefano Bianchetti / Bridgeman Images
Constantinople Longship Naval Battle Bianchettf
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EDITORS COMMENTS
This print captures a pivotal moment in history - the siege of Constantinople by Muhammad II in 1453. The image showcases the intense naval battle taking place in the harbor, with both besiegers and besieged utilizing the infamous Greek fire as their weapon of choice. The Greek fire, an incendiary substance that could not be extinguished by water, was a fearsome tool employed during ancient warfare. In this engraving from "Album de la Science", we witness its devastating power firsthand. Warships are engulfed in flames, billowing smoke fills the air, and chaos reigns supreme on both sides. The level of detail captured by Stefano Bianchetti is remarkable; every stroke of his engraving brings to life the intensity and brutality of combat. From the intricately designed longships to the fortified walls surrounding Constantinople, each element contributes to our understanding of this historic event. As we gaze upon this print from our private collection today, it serves as a reminder of humanity's capacity for destruction and resilience. It prompts us to reflect on how far we have come since those tumultuous times while acknowledging that echoes of past conflicts still reverberate through our world today. This artwork stands as a testament to human ingenuity in warfare but also raises questions about the cost paid for such advancements. It invites us to contemplate not only historical events but also our own role in shaping future narratives - will we continue down paths paved with violence or seek alternative means for resolving conflicts
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