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Albert, Prince Consort of Queen Victoria, and Joseph Paxton, 1851. Artist: John Tenniel
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Albert, Prince Consort of Queen Victoria, and Joseph Paxton, 1851. Artist: John Tenniel
Albert, Prince Consort of Queen Victoria, and Joseph Paxton, 1851. Albert, Prince Consort of Queen Victoria, handing Joseph Paxton, designer of the Crystal Palace, a £ 20, 000 slice of Solid Pudding from the surplus funds from the Great Exhibition of 1851 held in Hyde Park, London. Alberts great interest in the arts, science and industry led him to plan the staging of the Great Exhibition. From Punch, London, 1851
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Media ID 14841315
© Ann Ronan Picture Library / Heritage-Images
Albert Architect Consort Crystal Palace Designer Great Exhibition 1851 John Tenniel Joseph Paxton Paxton Prince Albert Prince Albert Of Saxe Coburg Gotha Prince Consort Pudding Queen Of Great Britain And Ireland Queen Victoria Reward Saxe Coburg Gotha Sir John Tenniel Sir Joseph Sir Joseph Paxton Tenniel Victoria Ann Ronan Pictures
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EDITORS COMMENTS
In this print, we witness a historic moment between two influential figures of the 19th century. Albert, Prince Consort of Queen Victoria, is seen graciously handing Joseph Paxton, renowned architect and designer of the Crystal Palace, a generous reward for his remarkable work. The £20,000 slice of Solid Pudding symbolizes not only their appreciation for Paxton's architectural masterpiece but also their recognition of his immense contribution to the Great Exhibition held in Hyde Park. Prince Albert's profound interest in arts, science, and industry led him to meticulously plan this grand event that showcased technological advancements from around the world. This caricatured engraving captures the essence of Victorian society with its satirical undertones while highlighting the significance placed on innovation and progress during that era. The image portrays a proud German prince collaborating with an English genius to create something truly extraordinary. It serves as a testament to international cooperation and cultural exchange at a time when Britain was establishing itself as an industrial powerhouse. Through this print by John Tenniel from Punch magazine in 1851, we are transported back in time to witness this significant moment where royalty meets ingenuity. It encapsulates both historical context and artistic expression within its monochrome frame – reminding us of how architecture can shape history and how individuals like Prince Albert can leave an indelible mark on society through their passion for progress.
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