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The Magician or Bottle Cungerer. English Credulity: or, Ye re all Bottled, 1749
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The Magician or Bottle Cungerer. English Credulity: or, Ye re all Bottled, 1749
The Magician or Bottle Cungerer. English Credulity: or, Ye re all Bottled, 1749. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917373
© The Print Collector / Heritage-Images
Bottle Bottles Britannia Candle Candles Conjurer Conjuror Devil Emily Morse Emily Morse Symonds George Paston Gullibility Gullible Magic Magician Paston Symonds Trick Wing Winged Wings Allegorical Figure Cherub Credulity Putti
The Magician or Bottle Conjurer - A Satirical Reflection on English Credulity in the 18th Century
EDITORS COMMENTS
. This intriguing print, titled "The Magician or Bottle Conjurer" offers a captivating glimpse into the social caricature of the 18th century. Created by an unknown artist and illustrated by George Paston (pseudonym of Emily Morse Symonds), this piece from 1749 is part of a collection that sheds light on the gullibility prevalent during that era. In this allegorical scene, we witness an enigmatic magician surrounded by cherubs and winged figures. The magician holds a bottle while conjuring tricks with candles and weapons, symbolizing both deception and warfare. The presence of Britannia suggests that even national identity was not immune to manipulation. The monochrome palette adds depth to the composition, emphasizing the contrast between light and shadow. Through intricate details like bottles scattered around and men captivated by illusions, it becomes evident how easily people were swayed by trickery. This print serves as a reminder of our collective vulnerability to deceit throughout history. It invites contemplation about human nature's susceptibility to manipulation, urging us to question what we believe blindly. "The Magician or Bottle Conjurer" is not just an artistic masterpiece but also a thought-provoking commentary on society's credulity in the past – one that continues to resonate today.
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