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Occupation of Ancona by the French, Italy, 23 February 1832. Artist: Philippe Auguste Jeanron

Occupation of Ancona by the French, Italy, 23 February 1832. Artist: Philippe Auguste Jeanron


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Occupation of Ancona by the French, Italy, 23 February 1832. Artist: Philippe Auguste Jeanron

Occupation of Ancona by the French, Italy, 23 February 1832. French troops occupied the port city of Ancona in February 1832 in a move to counter the influence of the Austrians in the Papal Marches of eastern central Italy. From a private collection

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Media ID 14853589

© Fine Art Images

Adriatic Sea Landing Mediterranean Philippe Auguste Rowing Boat Ancona Archway Marches Sailing Ship Warship


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Architecture > Country > Italy > Related Images

> Architecture > Styles > Mediterranean Architecture

> Arts > Artists > J > Philippe Auguste Jeanron

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Military

> Europe > France > Sport > Sailing

> Europe > Italy > Marche > Ancona

> Popular Themes > Warships


EDITORS COMMENTS
This photo print, titled "Occupation of Ancona by the French, Italy, 23 February 1832" captures a significant moment in history. Painted by Philippe Auguste Jeanron, it depicts the arrival of French troops in the port city of Ancona during February 1832. The purpose behind this occupation was to counter the growing influence of the Austrians in the Papal Marches region of eastern central Italy. The image showcases a ruined coastal landscape with an architectural archway framing the scene. In the foreground, rowing boats and sailing ships can be seen docked along the shore while soldiers disembark from warships onto land. This portrayal gives us a glimpse into an era marked by conflict and warfare. The monochrome aesthetic adds depth and intensity to this historical moment frozen in time. It transports us back to a turbulent period when nations vied for power and control over strategic locations such as Ancona. As we observe this artwork, we are reminded not only of its artistic value but also its historical significance. It serves as a testament to human ambition, territorial disputes, and geopolitical maneuverings that have shaped our world throughout centuries past. This remarkable piece is part of a private collection that has preserved it for generations to come. Its presence allows us to reflect on our shared heritage while appreciating Jeanron's skillful depiction of this pivotal event in Italian-French relations during the early 19th century.

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