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Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson

Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson


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Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson

Starving poet and publisher, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917284

© The Print Collector / Heritage-Images

Deaf Deafness Ear Trumpet Emily Morse Emily Morse Symonds George Paston Hearing Hearing Aid Hearing Impaired Obese Obesity Paston Publisher Publishing Rowlandson Starvation Starving Symonds Thin Thomas Rowlandson


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > T > Trumpeter

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > Related Images

> Arts > Artists > W > George White

> Arts > Authors

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


EDITORS COMMENTS
Caption: In this print by Thomas Rowlandson, we are transported to the late 18th century, where a starving poet and publisher find themselves entangled in the harsh realities of their time. The artist's keen eye for social caricature is evident as he portrays the stark contrast between wealth and poverty. The central figure, a thin and emaciated poet, epitomizes the struggles faced by artists during this era. His gaunt appearance reflects not only his impoverished state but also serves as a poignant commentary on the challenges faced by those pursuing creative endeavors. Beside him stands an obese publisher, symbolizing both gluttony and prosperity in stark juxtaposition to the poet's destitution. Rowlandson's attention to detail extends beyond physical appearances; he highlights the deafness of both figures through their use of ear trumpets - a common hearing aid at that time. This inclusion adds another layer of complexity to their characters, emphasizing how even individuals with different abilities were affected by societal inequalities. Through this satirical illustration from "Social Caricature in the Eighteenth Century". Rowlandson masterfully captures not only the struggles faced by these two individuals but also provides commentary on broader themes such as class disparity within British society. It serves as a reminder that artistry often comes hand-in-hand with hardship and that creativity can flourish even amidst adversity.

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