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A Brave Lady, 1872
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A Brave Lady, 1872
A Brave Lady, 1872. Voting at the local elections had been open to women rate-payers since 1869. Punch here takes a sardonic look at the ability of women to cast a thoughtful and considered vote. This cartoon is noteworthy, though, as it was drawn by one of the journals earlier female artists. From Punch, or the London Charivari, November 23, 1872
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Media ID 14831620
© The Print Collector / Heritage-Images
Bowers Election Electioneering Georgina Heritage Image Partnership Voting Womans Rights
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A Brave Lady, 1872
EDITORS COMMENTS
is a captivating print that offers a glimpse into the political landscape of Victorian Britain. In this thought-provoking cartoon from Punch, we witness an ironic portrayal of women's ability to participate in local elections since 1869. The image challenges the notion of women casting thoughtful and considered votes by presenting a sardonic perspective. What makes this cartoon particularly noteworthy is its historical significance as one of the early works by a female artist for Punch. Created by Georgina Bowers, it showcases her talent and contribution to the journal during an era when female artists were still rare in such publications. The monochrome engraving captures the essence of nineteenth-century politics and electioneering. It depicts men surrounding a lone woman at a voting booth, emphasizing gender disparities prevalent at that time. This visual commentary on women's rights serves as a reminder of the struggles faced by females seeking equal representation in society. As we delve into this heritage image partnership between Georgina Bowers and "A Brave Lady" we are transported back to an era where progress towards gender equality was slowly taking shape amidst societal resistance. This print collector's work allows us to reflect upon our past while appreciating how far we have come in terms of inclusivity and democratic participation
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